Gödel, Escher, Bach takes the form of an interweaving of
various narratives. The main chapters alternate with dialogues between
imaginary characters, usually Achilles and the tortoise, first used by Zeno of Elea and later by Lewis Carroll in "What the Tortoise Said to Achilles".
These origins are related in the first two dialogues, and later ones
introduce new characters such as the Crab. These narratives frequently
dip into self-reference and metafiction.
Word play also features prominently in the work. Puns are occasionally used to connect ideas, such as "the Magnificrab, Indeed" with Bach's Magnificat in D; "SHRDLU, Toy of Man's Designing" with Bach's Jesu, Joy of Man's Desiring; and "Typographical Number Theory", or "TNT", which inevitably reacts explosively when it attempts to make statements about itself. One dialogue contains a story about a genie (from the Arabic "Djinn") and various "tonics" (of both the liquid and musical varieties), which is titled "Djinn and Tonic".
One dialogue in the book is written in the form of a crab canon, in which every line before the midpoint corresponds to an identical line past the midpoint. The conversation still makes sense due to uses of common phrases that can be used as either greetings or farewells ("Good day") and the positioning of lines which double as an answer to a question in the next line. Another is a sloth canon, where one character repeats the lines of another, but slower and negated.
[wikipedia]
Word play also features prominently in the work. Puns are occasionally used to connect ideas, such as "the Magnificrab, Indeed" with Bach's Magnificat in D; "SHRDLU, Toy of Man's Designing" with Bach's Jesu, Joy of Man's Desiring; and "Typographical Number Theory", or "TNT", which inevitably reacts explosively when it attempts to make statements about itself. One dialogue contains a story about a genie (from the Arabic "Djinn") and various "tonics" (of both the liquid and musical varieties), which is titled "Djinn and Tonic".
One dialogue in the book is written in the form of a crab canon, in which every line before the midpoint corresponds to an identical line past the midpoint. The conversation still makes sense due to uses of common phrases that can be used as either greetings or farewells ("Good day") and the positioning of lines which double as an answer to a question in the next line. Another is a sloth canon, where one character repeats the lines of another, but slower and negated.
[wikipedia]
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